This is an engaging and lucid analysis of a much misunderstood issue. Borders, Jones convincingly argues, are a means of inflicting violence on poor people. Rowan Williams,Ī much-needed counter to a thousand newspaper columns calling on us to secure our borders, Reece Jones’ Violent Borders goes beyond the headlines to look at the deeper causes of the migration crisis. For Jones, this shows that the institutions of the modern state are essentially violent. Physical restraints in the shape of walls and security fences have multiplied the body count is appallingly high. Reviewsįocuses helpfully on an uncomfortable and generally overlooked fact – that in recent years border control regimes have become increasingly and often horrifically militarised in many parts of the world. With the growth of borders and resource enclosures, the deaths of migrants in search of a better life are intimately connected to climate change, environmental degradation, and the growth of global wealth inequality. While the poor are restricted by the lottery of birth to slum dwellings in the aftershocks of decolonization, the wealthy travel without constraint, exploiting pools of cheap labor and lax environmental regulations. In Violent Borders, Jones crosses the migrant trails of the world, documenting the billions of dollars spent on border security projects and their dire consequences for countless millions.
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“We may live in an era of globalization,” he writes, “but much of the world is increasingly focused on limiting the free movement of people.” Reece Jones argues that these deaths are not exceptional, but rather the result of state attempts to contain populations and control access to resources and opportunities. While he has no direct counterpart in the novels, TV-Mossador is a condensation of several former slave characters in Meereen who don't want peace with the former slave masters.Forty thousand people died trying to cross international borders in the past decade, with the high-profile deaths along the shores of Europe only accounting for half of the grisly total.
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"Mossador" in the TV series is not Missandei's brother: the TV writers just re-used a name from the novels for a separate character. They were crushed to death by falling stones beneath the river wall.
While patrolling the streets of Meereen at night, Mossador and another of the Unsullied were ambushed by the Sons of the Harpy. After being liberated by Daenerys, Mossador is one of the Unsullied who reclaims his birth name. In the A Song of Ice and Fire novels, Mossador is the name of one of the three brothers of Missandei who were enslaved alongside her and made into Unsullied and one of two who survived the training. Season 5 casting news revealed the character's name as "Keyr", but on March 21st it was revealed the character's name was changed to "Mossador". The character was originally credited as "slave" in Season 4. He pleads for forgiveness but she has Daario cut off his head, causing a riot. Daenerys has him brought out in chains before a crowd for execution, as a warning to everyone, freed slave or Great Master, not to pervert the course of justice. When the queen decides to give the prisoner a fair trial, Mossador interprets Daenerys's decision on the matter to mean that her hands are tied, and without permission, kills the captive. Mossador is present when the council debates what should be done with a captured Harpy's Son. Mossador, now representing Meereen's freedmen in Daenerys's Small Council, reports to Daenerys Targaryen along with Grey Worm that White Rat, one of the Unsullied, was found with his throat slit at a brothel, murdered by the Sons of the Harpy. After Grey Worm motivates them even further than Mossador and provides them with weapons, they launch a revolt against the Masters. Mossador attempts to convince his fellow slaves to join Daenerys Targaryen and defeat the Great Masters, though he meets resistance from skeptical older slaves who have lived through failed slave rebellions.
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